Nobunny, The Coathangers

Parade of Flesh & Vice Palace present . . .

Nobunny

The Coathangers

Party Static, Pearl Earl, SHOOKNITE, Yung Wave

Saturday, October 31, 2015

10:00 pm

Pariah Arts

Dallas, TX

$14

This event is 18 and over

Nobunny
Nobunny
The often amorous, and occasionally frightening NOBUNNY (one word, all caps) has been captivating audiences of dedicated fans and new believers since Easter 2001 (the day Joey Ramone died). Born in the desert outside of Tucson AZ, Nobunny started as an animal Elvis impersonator before deciding to try out his hand at songwriting. The raucous rabbit's music is a intoxicating concoction of all the ri
ghts and wrongs that make up the heart and the soul of real rock n roll. Songs that sound as though they were written at the Brill building by a punk rock mutant back from the future. Some batshit brilliant bullshit.

NOBUNNY stayed deep underground for his first 6 years doing DIY solo tours, burning limited CDRs, and building a dedicated group of fans across the USA. NOBUNNY shows were purported to include a dizzying act that often featured nudity, dancing, chaos, and costumes (most notably NOBUNNY's filthy rabbit mask).

In 2008 NOBUNNY released his first LP titled "Love Visions" on 1234GO! Records. The album was a hit among critics, punks, and nerds alike. A modern RNR classic filled with inept production, and songs as catchy as herpes. In 2009 Burger Records released the Mixtape/LP "Raw Romance". An acoustical confessional brainstorm exploration of cassette goodness . In 2010 the rascally rabbit released a "warts n all" Live Album on Jack White's Third Man Records. The year ended with Nobunny's 2nd proper LP, "FIRST BLOOD". Released on the Memphis' Goner Records, the album is NOBUNNY's off the deep end, poptastic, psych-o masterstroke.

NOBUNNY has spent most of the last 4 years touring North America, with 3 trips to Europe to boot. A licentiousness, lascivious, bon vivant who shows no signs slowing or toning it down. NOBUNNY loves you, and has made it damn near impossible not to love him back. Follow the white rabbit!

-WiLLiam Burros 2011
The Coathangers
The Coathangers
Be leery of any punk band with initial ambitions that go beyond just playing shows with their friends. Sure, great bands ascend beyond basements and handmade demos all the time, but the best acts start with little consideration for the outside world. The groups are their own insular worlds, where the reward comes from the process, not accolades and riches. And the bands that thrive on their own artistic satisfaction usually wind up being the bands that are able to grow beyond the donation jar into sustainable successful musical careers. Their charisma is contagious, their songs exist outside of fads, and their spirits can weather the inevitable ups and downs of life as touring musicians. Such is the case with the Atlanta trio The Coathangers.
When The Coathangers started up in 2006, their aspirations were humble. “I think all bands in their early twenties start for fun,” says guitarist/vocalist Julia Kugel when talking about their early years of cheeky no-wave and irreverent garage rock. But Julia and her bandmates Meredith Franco (bass/vocals) and Stephanie Luke (drums/vocals) were serious about their craft, and that combination of modest outside expectations and absolute dedication to their music made for exhilarating live shows and contagious records. Ten years later, The Coathangers are still going strong, and while their palette has expanded over the years to touch upon hip-shakin’ classic rock, soulful country ballads, and golden oldies pop, their primary attack strategy still relies heavily on the jagged hooks and boisterous choruses of their formative years. Their fifth album Nosebleed Weekend retains all the devil-may-care magnetism and serrated instrumentation of their debut, but it flourishes with a decade’s worth of songwriting discipline and chemistry.
Nosebleed Weekend kicks off with “Perfume”, a song that marries sultry pop vocals with toothy guitar riffs in a manner that would make Ann and Nancy Wilson proud. It’s hard to imagine The Coathangers writing a song this accessible in their early years, but in 2016 it fits perfectly into their canon. From there the band launches into “Dumb Baby”, which harkens back to the gritty neo-garage rock of Murder City Devils. Longtime fans who still clamor for their brash post-punk angle will be immediately satiated by “Squeeki Tiki”. And after hearing the noisy loud-quiet-loud bombast of “Excuse Me?” it’s no wonder that Kim Gordon has become an outspoken fan of the band. It’s an eclectic album inspired by life on the road, lost loved ones, and Kugel’s recent move to Southern California. “We always say that each record is a snapshot of our life at the time,” Kugel says. “As far as style… it’s just what came out of us at that point.” So whether it’s the foreboding garage rock of the title track, the post-punk groove of “Burn Me”, the stripped-down pop of “I Don’t Think So”, or the dynamic grunge of “Down Down”, The Coathangers command their songs with passion and authority.
The biggest departure for Nosebleed Weekend was the recording process. While all their previous albums were recorded in Atlanta at The Living Room with Ed Rawls, their latest album found the band out in California’s North Hollywood at Valentine Recording Studios with Nic Jodoin. “The Beach Boys and Bing Crosby both recorded there!” Kugel says excitedly. “It was an amazing experience, not to mention a ghostly one too. The studio had been custom built by Jimmy Valentine and he was very protective of his passion. It sounds weird, but his spirit was there, checking in on us and fucking with us a bit.” Nosebleed Weekend was the first session at Valentine Recording Studios since Jimmy’s professional interests were diverted elsewhere in 1979. The studio doors were shut, capturing a time capsule of the LA music industry back in the ‘70s. Thinking back to the early years of The Coathangers, it’s hard to imagine the scrappy Southern ladies ever recording in a historic studio in the San Fernando Valley, but it’s a classic demonstration of what can happen when humble young punks stick to their guns.
Party Static
Pearl Earl
Rainbow fuzz power out of Denton, TX
SHOOKNITE
EDM..... Austin TX
Venue Information:
Pariah Arts
1505 Gano St.
Dallas, TX, 75215