Parade of Flesh presents . . .


Saturday, May 20, 2017

8:00 pm

Club Dada

Dallas, TX

$15 (tickets still available at the door)

This event is all ages

All Them Witches
All Them Witches
Unexplained phenomena of all kinds can be attributed to magic. Music is among those marvels. When a group of unrelated individuals of different backgrounds gets together and locks into a sonic unity, there must be some sort of mysticism at work. That's the only way to properly explain it. The members of Nashville's All Them Witches would agree too. That energy even courses through their moniker, which unsurprisingly comes from Roman Polanski's 1968 masterpiece Rosemary's Baby.

"The name can be interpreted in many different ways," explains singer and bassist Michael Parks, Jr. "It could be a person's view on what the forces of good and evil are or even how we interact with each other as human beings. There's a little bit of witchcraft in everybody's life. Just waking up is pretty magical—you're alive another day. In terms of the music, we're so loose, and that's where the magic comes from. There's no controlling factor. We do exactly what comes naturally. We go in a room without any idea about what will happen, get in the groove, and it works. That's supernatural."

All Them Witches began conjuring up music together in 2012. Foregoing theater school to focus on songwriting, Parks traded New Mexico for Nashville at 19-years-old. The Shreveport, Louisiana native met drummer Robby Staebler while the two shared a shift at a "corporate hippie store". Robby showed Parks some music he and guitarist Ben McLeod had written, and it inspired the singer to jam—which he adds, "I usually never do. It made sense though".

Adding Robby's longtime friend Allan Van Cleave to the fold on Fender Rhodes, All Them Witches cut their debut Our Mother Electricity. Almost immediately after, they began working on its follow-up 2013's Lightning At The Door. Recorded live in a matter of days with producer and engineer Andy Putnam, the boys tapped into a distinct energy, mustering bluesy soul, Southern swagger, and thunderous hard rock all at once.

"We tracked everything live in the same room," says Parks. "We got a lot of bleed from the mics and the amps being together. Everything felt organic. You get us untainted on the record."

The first single "When God Comes Back" swings from a Delta-dipped groove into a striking riff juxtaposed with Parks' transfixing delivery. It's as hypnotic as it is heavy.

"Sometimes, I get visions, for lack of a better word, that lead to songs," the frontman admits. "I'll be doing a mundane task at work, walking somewhere in the woods, or driving, and I'll get these narrative flashes in my head. Personal experiences play into those narratives. This song is about our egos coming to break us down and destroy everything. We try to govern each other and turn the only landscape we have to live in into a parking lot. There's no room for anybody. So, when God comes back, he's going to be really mad."

Elsewhere on the album, one story connects the expansive and entrancing "The Marriage of Coyote Woman" and "The Death of Coyote Woman". The tracks twirl through rustic instrumentation and muscular distortion before building into a wild climax.

"It's a two-part song that follows one character in my brain that has its own trials and tribulations to go through," Parks goes on. "It also discusses how and where I grew up. It's a hodgepodge, and the lyrics and music just came to me while I was driving."

Given their powerful and potent psychedelic sound, All Them Witches has shared the stage with everybody from punk luminaries Broncho to the buzzing Windhand. They've also rocked at WRLT's weekly live series "Nashville Sunset", played the station's Live On The Green and appeared at the Scion Rock Fest.

"We can take so many different paths," he adds. "The music is ever-shifting. None of us grew up listening to the same music. In Louisiana, I heard a lot of ZZ Top and Blues band. Allan was raised on classical, almost exclusively. Robby and Ben listened to a ton of Pink Floyd and Led Zeppelin. When we came together, it simply works."

Ultimately, everything comes back to that certain magic for All Them Witches. "Not to sound too much like hippie, but I hope everybody can ride our vibe," Parks leaves off. "We're very simple people doing something we really love. We have such a short amount of time on this earth. Everybody should be doing what they love. If there's a message here, it's that."
Idle Bloom
Idle Bloom is a four-piece that is emboldened through textures. The Nashville based band released their debut EP, "Some Paranoia" in the fall of 2015.

"Some Paranoia" is the perfect showcase of Idle Bloom's need to explore sound. No two songs sound alike, and yet it reads like a cohesive story. The way this band accesses different states results in a complex sonic weave. They defy being subjected to one genre and, in turn, blow away listeners with their unique onstage presence and sound that cannot be duplicated.

On a beautiful piece of property in rural Tennessee, in the year 2015, the band set out to record their debut full length with friend and engineer, Kyle Gilbride (Waxahatchee, Girlpool). "Little Deaths" is a record that channels a wide spectrum of experiences and inspirations. As people, Idle Bloom's influences are all over the map. Naturally, when that is the case, songs are pulled and stretched to the limit and for Idle Bloom, nestled perfectly between pop, sparkly psych and the golden age of college rock. (Think, Dinosaur Jr., The Breeders)

"Little Deaths" is a collection of stories about life, rebirth, frustration, banishing evil and so on. This record takes you through a myriad of experiences and, much like their live show, thrives off of dynamics and sharp turns. The songs are haunting yet empowering; enticing with lyrics and vocals that demand to be heard. Supported by a powerful rhythm section, guitar leads soar by each other, coming close to crashing but never do. One can feel the energy seeping from every track.

With a drive that is fundamental to evolving, Idle Bloom continue to live the philosophy of many bands before them; to always be working. Coming from different creative backgrounds, their DIY approach has led them to be hands on in every aspect. Making their own videos, taking photos and creating concepts that pull a common thread through all that they do. Olivia, Katie, Weston and Gavin will continue to tour and write and live with their pets. Thanks for listening.
Venue Information:
Club Dada
2720 Elm St.
Dallas, TX, 75226