NSFWknd X DESERT DAZE CARAVAN: Temples, Night Beats, Deap Valley, Froth, JJUUJJUU

Parade of Flesh presents . . .

NSFWknd X DESERT DAZE CARAVAN: Temples, Night Beats, Deap Valley, Froth, JJUUJJUU

Friday, March 17, 2017

7:00 pm

Trees

Dallas, TX

$28 (tickets still available at the Trees box office)

This event is all ages

Desert Daze
Desert Daze
The 5th annual Desert Daze has metamorphosed and emerged from its chrysalis reborn, harkening back to what music festivals once were, while illuminating the future of what music festivals can be.

For the love of music, culture and celebration, Desert Daze is creating an event that celebrates the music you love: not a "music festival", but a "festival of music." Relocating to the evocative and otherworldly Institute of Mentalphysics in Joshua Tree, California, Desert Daze will be three outdoor stages of incredible live music, an indoor space for alternative programming (speakers, workshops, Q&A's. audio/visual performances and more), interactive art installations, projections, vendors, bars, food trucks and an indoor diner.

At this intentionally limited capacity event, attendees can stay in deluxe on-site cottages designed by Frank Lloyd Wright and son Lloyd Wright, sleeping 2 to 8, available to rent for the weekend, in addition to RV, car, and tent camping across the joshua-tree studded landscape.

"Desert Daze is a real anomaly as far as festivals go. It fosters the genuine connection between bands and their audience. I'm legitimately excited every year to see whom they've conjured to play and I've enjoyed it equally as an artist and as a punter. A real treat!" – Stella Mozgawa of Warpaint

"It's very hard to find a festival where commerce takes a back seat to art, as it should, but Desert Daze is a breath of fresh air. A rare autonomous zone, unlike any contemporary festival setting I've been in." – Ben Chisholm (Chelsea Wolfe)

"Desert Daze is a throwback to the days before music festivals became mainstream" – Eve Barlow, The Guardian
Temples
Temples
Temples are a neo-psych group from the Midlands, England.
The Night Beats
The Night Beats
Any number of bands cite 60's Texas psych as an influence, but rarely does a group actually capture what made those bands special. Following their debut EP also on Trouble In Mind, The Night Beats have expanded on the bedroom immediacy of their first recordings to create an LP that perfectly captures and modernizes the hallucinogenic and exhilaratingly demonic aura of bands like The 13th Floor Elevators and Golden Dawn. With blazing guitar work and a razor sharp rhythm section Danny Lee Blackwell and company mutate conventional chords & progressions into a mind-blowing sonic sprawl. The record reels you in with 2-3 minute pop songs like 'Ain't Dumbo' and 'Dial 666', forging a landscape that then throws you into a chaotic journey of jams a'la 'Dewayne's Drone' and 'Little War in the Midwest' that bend and meander but never overstay their welcome. Tune in, turn on, & drop that needle on this record! The first press of this LP is on randomly-mixed vinyl & includes a download code!
Deap Vally
Deap Vally
Deap Vally landed in ‘2013’ with their rock debut ‘Sistrionix’. The LA duo bombed down the Transatlantic speedway, lighting psych-blues fires throughout the US and Europe. Lindsey Troy’s whiskey-soaked vocals and killer guitar riffs were chaotic, but found a degree of order in the heat of Julie Edwards’ drumming. After several loops around the world, they returned from their travels and decided it was time for a gear shift. The change was inspired by the pair’s need to create their vision on their own terms, without label input. Lindsey and Julie needed to be able to operate in a way that didn’t suck the living joy out of their creations, otherwise that blues synergy of rock’n’roll (forged between them at a knitting club in Echo Park some five years ago) would simply not be able to reach its pinnacle.

So the two-piece took a risk, parted ways with their label (amicably so), and wielded the time they needed to reassess matters by themselves, even doing short stints as touring bass players: Lindsey in White Lung and Julie in JJUUJJUU. “We were given this gift of time to make the record,” explains Julie, optimistically. “We kept writing, recording, exploring all these flavours. It was a real luxury.”

It’s a luxury many bands don’t get, and it’s strengthened their identity, which has now become an “ism”: specifically ‘Femejism’. That’s the name of the second record. “We don’t ever wanna do what people expect of us, we always want to do the opposite of that,” says Lindsey, ever the rebel. “Like after a break-up when you cut your hair, dye it, and just explore being free on so many levels.” Julie intercepts, “But, y’know, within the confines of guitar and drums.” Their new labels – Cooking Vinyl and Nevado Records – have put their faith in the ladies’ vision entirely.

‘Femejism’ has been two years in the making. “This is what we wanted: total freedom,” says Julie. The pair explored new territory at recording studios in Downtown LA and the San Fernando Valley. They had a third character in the mix, too, Yeah Yeah Yeahs guitarist Nick Zinner, who lent key production skills to the pair’s own chemistry. “He’s pushed our songwriting a lot,” says Lindsey. The pair also explored new territory at recording studios in Downtown LA and the San Fernando Valley, this time honing their producing skills too. The track ‘Julian’, for instance, was produced entirely by them. Both ladies insist that theirs is a love/hate relationship they’re incapable of explaining. “It’s a mystery that neither of us understand,” says Julie, the yogic yin to Lindsey’s dramatic yang. “We’re giving ourselves to an alchemy we don’t control but it creates art. It’s raw, hot and loud, you know?”

The duo always keep their cards close to their chests when it comes to offering explanations. “What do you think it means?’” defers Julie on the subject of titles, lyrics, etc. Although they take what they do seriously, Deap Vally try not to take themselves too seriously. There’s a sense of humour that catches you off guard. The only thing they do offer is that true crime and historical characters have inspired some songs. Maybe the self-produced ‘Julian’ or ‘Little Baby Beauty Queen’, but who knows? They both kick like a mule regardless.

“I always want there to be some philosophical endgame,” adds Julie. “They’re personal songs and they’re universal. Nothing’s too mired in emotion.” Lindsey agrees. “We wanna give people music they deserve.” Take ‘Teenage Queen’, which comes over like an Alex Turner anthem. //I’m gonna live forever, Snapchat, sex and cigarettes, life is but a dream for a teenage queen// hollers Lindsey. It’s a feverish poke at societal ills, without getting too preachy. In ‘Critic’ there’s a stripped-back grunge vibe as Lindsey drawls //everyone is a fucking critic, a fucking cynic// in a way that’s so blasé as to be positively liberating. The song is sonically the “biggest departure” for them.

“It was hard sitting on this record for so long, not knowing what was gonna happen,” says Lindsey. But that waiting made the pair even more ambitious. Julie went ahead and had a baby. “The baby came out, then we found the perfect partners. It was like it had to happen that way,” Julie muses. Lindsey adds, brazenly, “Now that we have a home I just wanna put out a tonne of records.”

“’Sistrionix’ was a document of the early years of Deap Vally”, Julie concludes. “’Femejism’ is a document of the metaphorical desert we’ve been crossing between towns.” Make sure you bring a bottle of Jack for the ride. You might need it to take the edge off.
Froth
Froth
Froth’s debut LP, Patterns, was released in fall 2013 on Burger Records and Lolipop Records, and bared witness to the young group’s rapid musical growth and developing ear for composition. A shimmering mix of jangly 12-string guitars and swirling omnichord sounds, the album offers plenty of moments of pure psych-pop bliss; however, the band also flirts with a darker, driving element that they have continued to explore on subsequent releases.

For their sophomore album, Bleak (LP and cassette out May 5 on Burger Records), Froth has largely traded in the sun-soaked 60s pop of their first long-player in favor of a maximalist shoegaze sound that combines screaming guitars with muscular drumming and throbbing, nervy bass lines. The result is a mature, confident record built upon tight songwriting and carefully honed tones. Lead singer and guitarist Joo-Joo Ashworth displays an equal knack for noisy, fuzz-driven leads and economic pop hooks, while drummer Cameron Allen holds down the beat with machine-like precision and bassist Jeremy Katz infuses the album with a unique groove that has become a necessary ingredient in Froth’s signature sound.

With the arrival of a new record, Froth has also introduced a second guitarist, Cole Devine. The former Cosmonauts drummer and current Black Sea front man adds to the band’s already rich textural palette, bringing his distinctive dream pop sensibility into the fold.

After tirelessly touring the U.S. and sharing the stage with scene standouts like The Growlers, The Dream Syndicate, La Luz, Mr. Elevator & the Brain Hotel, Mystic Braves and many more, Froth continues to attract new fans with their infectious music and high-energy live show. Recent stints across Europe and work with fashion legend Hedi Slimane have further cemented the band’s reputation with an international audience. As always, though, Froth remains dedicated to pushing their own boundaries and exploring new sonic avenues, both on the road and in the studio.
JJUUJJUU
JJUUJJUU
JJUUJJUU is an astral union, an arcane ritual, and above all, a conversation.
Harnessing an unspoken energy, the duo have exponentially blossomed from a sonic experiment to a forceful, telepathic dialogue of distinct-but-aligned vibrations. Releasing this dynamic on an expanding spiral of planned and impromptu live shows in the American southwest, the magnetism of the duo only continues to grow, along with its devoted, traveling coterie of entranced acolytes. - S.M. 2012
Venue Information:
Trees
2709 Elm Street
Dallas, TX, 75226
http://treesdallas.com/